Digital Humanities. Metodi, strumenti, saperi, edited by Fabio Ciotti, Roma, Carocci, 2023
DOI:
https://doi.org/10.60923/issn.2532-8816/22342Keywords:
Epistemology, Methodology, Digital Scholarly Editing, ModellingAbstract
The volume Digital Humanities. Metodi, strumenti, saperi edited by Fabio Ciotti provides a comprehensive overview of the Digital Humanities (DH) field, with a specific focus on the Italian context. Structured in two parts – Metodi, strumenti e infrastrutture e Campi e saperi – it combines theoretical frameworks with disciplinary applications, offering both a foundational and advanced guide. The volume addresses key questions about DH practices, education, actors, and evaluation criteria, proposing a synthesis of methodological, pragmatic, and critical approaches. Featuring contributions from leading Italian scholars, it highlights the country’s significant role in DH discourse. Ciotti’s “galaxy” metaphor effectively captures the complexity of the field, emphasizing its interdisciplinary and evolving nature. The volume is an essential resource for students and scholars seeking to understand the epistemic foundations and future directions of the field.
References
Berry, David M., ed. 2012. Understanding Digital Humanities. London: Palgrave Macmillan.
Berry, David M., and Anders Fagerjord. 2017. Digital Humanities: Knowledge and Critique in a Digital Age. Cambridge: Polity.
Ciotti, Fabio. 2018. ‘From “Informatica Umanistica” to Digital Humanities and Return: A Conceptual History of Italian DH’. Testo e Senso 19 (October). https://testoesenso.it/index.php/testoesenso/article/view/398.
Gold, Matthew K., ed. 2012. Debates in the Digital Humanities. Minneapolis: University of Minnesota Press.
Gold, Matthew K., and Lauren F. Klein, eds. 2016. Debates in the Digital Humanities. Minneapolis: University of Minnesota Press.
Jones, Steven E. 2013. The Emergence of the Digital Humanities. London-New York: Routledge.
———. 2016. Roberto Busa, S.J., and the Emergence of Humanities Computing: The Priest and the Punched Cards. London-New York: Routledge.
Nyhan, Julianne, and Andrew Flinn. 2016. Computation and the Humanities: Towards an Oral History of Digital Humanities. Springer Series on Cultural Computing. Cham: Springer.
Piotrowski, Michael. 2018. ‘Digital Humanities: An Explication’. In Proceedings of INF-DH-2018 (Bonn, 2018). Bonn: Gesellschaft für Informatik. http://dl.gi.de/handle/20.500.12116/17004.
———. 2020. ‘Ain’t No Way Around It: Why We Need to Be Clear About What We Mean by “Digital Humanities”’, April. https://doi.org/10.31235/osf.io/d2kb6.
Piotrowski, Michael, and Aris Xanthos. 2020. ‘Décomposer les Humanités Numériques’. Humanités Numériques, no. 1 (January). https://doi.org/10.4000/revuehn.381.
Ramsay, Stephen. 2013. ‘Who’s In and Who’s Out’. In Defining Digital Humanities: A Reader, by Melissa M. Terras, Julianne Nyhan, and Edward Vanhoutte, 239–42. Ashgate: Farnham.
Svensson, Patrik. 2016. Big Digital Humanities: Imagining a Meeting Place for the Humanities and the Digital. Ann Arbor: University of Michigan Press.
Terras, Melissa M., Julianne Nyhan, and Edward Vanhoutte. 2013. Defining Digital Humanities: A Reader. Ashgate: Farnham.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Bianca Vallarano

This work is licensed under a Creative Commons Attribution 4.0 International License.