Analisi di rete e GIS per la storiografia musicale: genere, spazio urbano ed ecologie della musica
DOI:
https://doi.org/10.6092/issn.2532-8816/19246Parole chiave:
Mappatura digitale (GIS), Storiografia musicale, Spazio urbano, Ecologie della musica dal vivo, Analisi di reteAbstract
L’obiettivo di questo articolo è mostrare le potenzialità dell’analisi di rete nell’ambito della storiografia musicale. A partire da ricerche precedenti, cercherò di espandere gli orizzonti di applicazione della tecnica coinvolgendo nell’indagine una pluralità di pratiche musicali e utilizzando i sistemi informativi geografici (GIS). Il caso di studio esaminato sarà quello della scena musicale della città di Milano durante il boom economico (1958-1962), osservata attraverso la lente di un data set di 8288 eventi musicali. Le tecniche utilizzate permetteranno di visualizzare in maniera sincronica diversi tipi di relazioni, come ad esempio quella tra performer e compositori, le quali assumono in maniera inequivocabile le caratteristiche di una rete. Attraverso l’analisi algoritmica sarà quindi possibile dimostrare come le proprietà di queste strutture reticolari siano strettamente legate al sistema dei generi musicali dell’epoca, nonché catalizzate dallo spazio, urbano e performativo, in cui prendono forma. Infine, la consonanza tra i risultati raggiunti e ricostruzioni storiografiche preesistenti suggeriscono l’efficacia di un approccio “ecologico” all'analisi di rete in campo musicale.
Riferimenti bibliografici
Altman, Rick. Film/Genre. London: British Film Institute, 1999.
Barabási, Albert-László. Linked: The New Science of Networks. New York: Perseus Publishing, 2003.
Bastian, Mathieu, Sebastien Heymann, and Mathieu Jacomy. “Gephi: An Open Source Software for Exploring and Manipulating Networks.” Proceedings of the International AAAI Conference on Web and Social Media 3, no. 1 (March 19, 2009): 361–62. https://doi.org/10.1609/icwsm.v3i1.13937.
Becker, Howard S. Art Worlds. Berkley: University of California Press, 1982.
Behr, Adam, Matt Brennan, Martin Cloonan, Simon Frith, and Emma Webster. “Live Concert Performance: An Ecological Approach.” Rock Music Studies 3, no. 1 (January 2, 2016): 5–23. https://doi.org/10.1080/19401159.2015.1125633.
Blondel, Vincent D., Jean-Loup Guillaume, Renaud Lambiotte, and Etienne Lefebvre. “Fast Unfolding of Communities in Large Networks.” Journal of Statistical Mechanics: Theory and Experiment 2008, no. 10 (October 9, 2008): P10008. https://doi.org/10.1088/1742-5468/2008/10/P10008.
Nicastro – Combining Network Analysis and GIS for Music Historiography
Borgatti, Stephen P., Martin G. Everett, Jeffrey C. Johnson, and Filip Agneessens. Analyzing Social Networks Using R. Newbury Park: Sage Publications, 2022.
Brackett, David. Categorizing Sound: Genre and Twentieth-Century Popular Music. Oakland: University of California Press, 2016.
Brandes, Ulrik. “A Faster Algorithm for Betweenness Centrality*.” The Journal of Mathematical Sociology 25, no. 2 (June 2001): 163–77. https://doi.org/10.1080/0022250X.2001.9990249.
Cheng, Joe, Barret Schloerke, Bhaskar Karambelkar, and Yihui Xie. “Leaflet: Create Interactive Web Maps with the JavaScript ‘Leaflet’ Library,” 2024. https://github.com/rstudio/leaflet.
Cohen, Sara. “Live Music and Urban Landscape: Mapping the Beat in Liverpool.” Social Semiotics 22 (November 1, 2012): 587–603. https://doi.org/10.1080/10350330.2012.731902.
Crossley, Nick. Connecting Sounds: The Social Life of Music. Manchester University Press, 2019.
———. Networks of Sound, Style and Subversion: The Punk and Post–Punk Worlds of Manchester, London, Liverpool and Sheffield, 1975–80. Manchester: Manchester University Press, 2015. https://www.jstor.org/stable/j.ctt18mvkkz.
———. “Totally Wired: The Network of Structure of the Post-Punk Worlds of Liverpool, Manchester and Sheffield 1976–80.” In Social Networks and Music Worlds, edited by Nick Crossley, Siobhan Mcandrew, and Paul Widdop, 39–59. Abingdon: Routledge, 2014.
Crossley, Nick, and Rachel Emms. “Mapping the Musical Universe: A Blockmodel of UK Music Festivals, 2011–2013.” Methodological Innovations 9 (January 1, 2016): 2059799116630663. https://doi.org/10.1177/2059799116630663.
Crossley, Nick, Siobhan Mcandrew, and Paul Widdop. Social Networks and Music Worlds. Abingdon: Routledge, 2014.
Fabbri, Franco. “A Theory of Musical Genres: Two Applications.” In Popular Music Perspectives: Papers from the First International Conference on Popular Music Research, Amsterdam, June 1981, edited by David Horn and Philip Tagg, 52–81. Gothenburg & Exeter: International Association for the Study of Popular Music, 1982.
———. “Altre Musiche a Milano, Dal Dopoguerra a ‘Musica Nel Nostro Tempo.’” In Milano Laboratorio Musicale Del ‘900, edited by Oreste Bossini, 125–44. Milano: Archinto, 2009.
———. “Una Teoria Dei Generi Musicali. Due Applicazioni (Versione Originale Italiana).” Accessed March 11, 2024. https://www.francofabbri.net/files/Testi_per_Studenti/Teoria_dei_generi.pdf.
Fayenz, Franco. “Milano, La Città Del Jazz.” In Le Capitali Della Musica. Milano, edited by Giorgio Taborelli and Anna Crespi Morbio. Cinisello Balsamo: Silvana Editoriale, 1984.
Feld, Scott L. “The Focused Organization of Social Ties.” American Journal of Sociology 86, no. 5 (1981): 1015–35.
Fertonani, Cesare, and Emilio Sala. “Per Una Storia Della Musica a Milano Nel Secondo Dopoguerra.” In Milano Laboratorio Musicale Del ‘900, edited by Oreste Bossini, 95–98. Milano: Archinto, 2009.
Finnegan, Ruth. The Hidden Musicians: Music-Making in an English Town. Wesleyan University Press, 2013.
Foot, John. Milan Since the Miracle: City, Culture and Identity. Oxford: Berg Publishers, 2001.
Holt, Fabian. Genre in Popular Music. Chicago: University of Chicago Press, 2007.
Jacomy, Alexis. “GeoLayout,” January 9, 2023. https://github.com/jacomyal/GeoLayout.
Jacomy, Mathieu, Tommaso Venturini, Sebastien Heymann, and Mathieu Bastian. “ForceAtlas2, a Continuous Graph Layout Algorithm for Handy Network Visualization Designed for the Gephi Software.” PLOS ONE 9, no. 6 (giu 2014): e98679. https://doi.org/10.1371/journal.pone.0098679.
Kuchar, Jaroslav, and Joan Codina. “Multimode Networks Transformations,” January 9, 2023. https://github.com/jaroslav-kuchar/Multimode-Networks.
Lambiotte, R., J.C. Delvenne, and M. Barahona. “Laplacian Dynamics and Multiscale Modular Structure in Networks.” IEEE Transactions on Network Science and Engineering 1, no. 2 (July 1, 2014): 76–90. https://doi.org/10.1109/TNSE.2015.2391998.
Moiraghi, Marco. Voglio Un Monumento in Piazza Della Scala, La Milano Musicale Di Gino Negri. Roma: Squilibri, 2011.
Moore, Allen F. “Categorical Conventions in Music Discourse: Style and Genre.” Music and Letters 82, no. 3 (August 1, 2001): 432–42. https://doi.org/10.1093/ml/82.3.432.
Nardelli Buongiorno, Marco, Garland Culbreth, and Miguel Fuentes. “Towards A Measure Of Harmonic Complexity In Western Classical Music.” Advances in Complex Systems (ACS) 25, no. 05n06 (2022): 1–11.
“Network Graphs · Milan 1958-1962.” Accessed March 11, 2024. https://musictopography.github.io//network_graphs/.
Nicastro, Martin. “Milan_1958_1962_Music_Topography_of_a_City (v1.0.0).” Zenodo, 2023. https://doi.org/10.5281/zenodo.8340459.
Nicastro – Combining Network Analysis and GIS for Music Historiography
Park, Doheum, Arram Bae, Maximilian Schich, and Juyong Park. “Topology and Evolution of the Network of Western Classical Music Composers.” EPJ Data Science 4, no. 1 (December 2015): 1–15. https://doi.org/10.1140/epjds/s13688-015-0039-z.
Rossari, Augusto. “Milano 1861-2020.” Accessed March 15, 2024. https://www.milanoattraverso.it/territorio/.
Small, Cristopher. Musicking. The Meaning of Performing and Listening. Middletown: Wesleyan University Press, 1998.
Tomatis, Jacopo. Storia Culturale Della Canzone Italiana. Milano: Il Saggiatore, 2019.
Downloads
Pubblicato
Come citare
Fascicolo
Sezione
Licenza
Copyright (c) 2024 Martin Nicastro
Questo lavoro è fornito con la licenza Creative Commons Attribuzione 4.0 Internazionale.
